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TESTIMONIALS

“They told me I had a diamond in the rough, but I had no idea… it took my breath away”

— Kisti Redl, Bronxeville NY


“The work coming out of The Naples Studio is nothing short of microsurgery. It is a comfort to know that our collection is in such excellent hands”

— Dennis Fannuchi, Executive Director,
The American Merchant Marine Museum, Kingspoint NY


“I recommend The Naples Studio with absolute confidence, they are the best in the business.”

— Chris Usher, owner, Greenwich Workshop Gallery, Fairfield CT


"The Penrose and Meyer print arrived safe and sound and it looks remarkable. What a fantastic job you did restoring it. I never imagined it would look so good. Thank you, thank you. . . . I . . . truly look forward to working with you on a new image."

Jay Hollis, Jay Hollis and Associates, Wayland, MA

“Working with Chris Naples is always a pleasure. He is professional, knowledgeable, fast, and very accurate. His entire staff is kind and helpful. There is no job too large or too small - Chris and his staff are always accommodating. They will be onsite to assist that very day if needed. Cannot wait to continue doing business with Naples in the future.”

Susan Ashman, Director of Operations, Enservio Select, Springfield MA
 

Problems & Solutions



Problem:  Winter Edition 1.01

Problem:  Winter Edition 1.01

Cupping: As a canvas expands and contracts, the paint layer is forced to crack, forming a network or craqueleur.  This is expected, given the inherent nature of the materials.  Oil paint cures to a rock-hard state, while canvas is and remains hygroscopic.  Over time the cracked paint layer may form concave islands.  The technical term for this condition is cupping.

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